Adoration Of The Magi And Bruegi Analysis - 1044 Words

The two paintings Adoration of the Magi, by Botticelli, and Peasant wedding, by Pieter Bruegel the Elder are both Renaissance art works made in the 14th and 15th centuries. Botticelli completed the Adoration of the Magi during the Italian Renaissance. The piece was commissioned by Cosimo de’ Medici and encaptures the Medici family witnessing the birth of Jesus Christ. Likewise, Pieter Bruegel the Elder completed the painting Pheasant Wedding in 1567, which is a depiction of the local pheasant’s daily lifestyle and the simple pleasures it had to offer. Although at first the two pieces of artwork may appear to be similar in style, they contain several subtle differences because of the era they came from. For example, Botticelli†¦show more content†¦With their family and friends blissfully dining, the peasants depicted in Peasant Wedding manifest the simple Lutheran religion that was being innovated at the time. The two paintings contrast in this way because of th e indistinct and undeniable religious backgrounds the paintings have. Although there are many singularities in between the Northern and Southern Renaissance styles there are distinct similarities in the two artistic communities. One similarity is the the belief in Humanism that is represented in both the Adoration of the Magi and Peasant Wedding. Humanism is the belief that stresses the potential value and goodness of human beings and was innovated in both the Italian and Northern Renaissance. This belief can be seen in the painting Peasant Wedding by the way that Bruegel the Elder illustrates the congregation of people that had attended the wedding. Likewise, in The Adoration of the Magi, Botticelli communicates his belief in Humanism by the way he precisely draws each person in the painting. The two paintings portray the Humanist beliefs through the precise details in which they paint each person and indicates that they have faith and trust in the human race. In southern Renaissance artwork, the subject matter was usually centered and results in drawing the eyes attention to a certain focal point. Conversely, in northern renaissance art, the placement of the